Today, Perth’s DICE share “Call Me For A Good Time” off of their forthcoming album I Thought The Altitude Would Make It Worth The View –– produced with 11-time GRAMMY-winning producer Joe Chiccarelli (The Strokes, The White Stripes) –– due July 31. DICE will also embark on a North American tour this fall, dates below. Listen/watch “Call Me For A Good Time” here, and presave I Thought The Altitude Would Make It Worth The View here.

A moody, late-night indie anthem for fans of The Strokes, Foals, and Phoenix, the track leans heavily into DICE’s newly recalibrated, sophisticated DNA, trading their signature daytime energy for a haze of driving bass lines and LA-in-the-80s synth layers courtesy of multi-instrumentalist Jay Watson (POND, Tame Impala). It’s the atmospheric soundtrack to the blurred lines of an afterparty—capturing the exact moment where desire borders on addiction.

Says the band; “A track of desire, addiction and devotion. It’s got that late night feeling and was definitely written to serve its title. ‘Call Me for a Good Time’ is us stepping directly into the afterparty of our mid-20s. Having Jay Watson from POND jump on synths was incredible—he brought this amazing, swirling nocturnal texture that completely dialled in that head-spinning, hazy feeling when you’re caught between heaven or hell at 3 AM, lost in the noise, and just looking for a real connection to numb the surroundings.”
 

Watch “Call Me For A Good Time” here

Set for release on 31 July, I Thought The Altitude Would Make It Worth The View also contains previously released singles –– “COOLER,” a cornerstone of their evolution and sophistication of their sound that premiered on triple j –– and  “Loose Change,” a euphoric reminder that taking the leap is always worth the view. For this album, DICE pivoted away from the grit of their debut album, Midnight Zoo, expanded their sonic palette with 2025’s WINGS EP, and now move toward a more expansive, blissful, lighter, euphoric world. The result is a 10-track album that is a windows down anthem for radical self-reflection and liberation, capturing a band finally flying at their own altitude. 

DICE has transformed from local indie-rock darlings into a high-velocity global export. Following the critical acclaim of their debut, the band spent 2025 cementing their status as a premier live act, turning the pressures of early adulthood into bright, liberating anthems for sold-out crowds in London, New York, Toronto, Amsterdam, and Sydney.

Having maintained a position on triple j’s Most Played Artists list for three consecutive years, DICE continues to build momentum with an unwavering “life’s too short” philosophy. 

Comprising of Ben Hodge, Tom King, Regan Beazley, and Sam Barrett-Lennard, the Perth-based four-piece makes music for authentic connection; for movement, for feeling, and for being present. These are songs that push you to run outside and be a kid again, to fall in love, dance in your kitchen, take a spontaneous trip, or lie in the grass doing nothing at all.

DICE step into their most ambitious era yet — delivering a euphoric soundtrack for moments you’ll feel nostalgic for before they’ve even happened.