Ecca Vandal announces new album LOOKING FOR PEOPLE TO UNFOLLOW out May 22 + ‘SORRY! CRASH!’ out now

Photo by Sean McDonald
April 2 2026

PRAISE FOR Ecca Vandal

“DIY ferocity crackles through every jagged beat and electric scream of her music”

Vogue Australia

“Ecca Vandal takes the idosyncratic path”

Alt Press

“If you’re into absolutely banging, genre-bending, anthems for this generation – Ecca Vandal is right up your street”

NME

“Vandal made it clear early on that she wouldn’t be boxed in to a certain sound”

Rolling Stone

“Ecca Vandal shows us what she can do – which is whatever she likes”

DIY Magazine

“A magnetising figure commanding a maelstrom of rock, rap, punk, soul, and more”

triple j

LOOKING FOR PEOPLE TO UNFOLLOW LP
Out May 22 via Loma Vista Recordings
PRE-SAVE / PRE ORDER HERE

LP TRACKLIST
AIRPLANE MODE
EYES SHUT
SORRY! CRASH!
VERTICAL WORLDS
BLEED BUT NEVER DIE
CRUISING TO SELF SOOTHE
MOLLY
OKAY NOT TO BE OKAY
LEVITATE PART 1&2
LOOKING FOR PEOPLE TO UNFOLLOW
THEN THERE’S ONE
BLEACH
DID A LITTLE MORE TO FORGET
DO IT ANYWAY
DANCE IN DEBT
GHOSTS
CAME HERE FOR THE LOOT

‘SORRY! CRASH!’ is out now, buy/stream it here.

South African-born, Melbourne-based artist Ecca Vandal, of Sri Lankan heritage, has announced her new album LOOKING FOR PEOPLE TO UNFOLLOW, due May 22nd via Loma Vista Recordings. Ahead of her Coachella debut next week, Ecca today shares her latest single ‘SORRY! CRASH!’. LISTEN HERE + PRE-SAVE LP HERE.

LOOKING FOR PEOPLE TO UNFOLLOW is a record about subtraction, cutting ties with what drains your energy and distorts your vision, according to Vandal: “The systems. The trends. The illusions of connection. It’s about choosing silence over spectacle, finding empowerment through letting go. It’s a space we still protect at all costs, especially now more than ever, while the world is on fire and distraction has become our default state.”

Embodying that raw, unfiltered energy, the announcement arrives with a new song and visual for ‘SORRY! CRASH!‘. “I thought I’d hit rock bottom when I wrote this,” Ecca shares, “but realised there isn’t really a rock bottom at all – you just keep falling. This song is that moment where you stop pretending that you’re okay, “SORRY! I’m about to CRASH! the f*ck out!” It follows previously released singles ‘MOLLY‘, ‘BLEACH‘, ‘CRUISING TO SELF SOOTHE‘, ‘BLEED BUT NEVER DIE‘, and ‘THEN THERE’S ONE‘.

The album was recorded and produced by Richie Buxton and Ecca Vandal in Buxton’s childhood bedroom.

“We cut out everything that didn’t serve us, the timelines, the metrics, the pressure to ‘stay visible’ online. We tuned out of the feed and turned inwards. In Richie’s childhood bedroom, we built a tiny home studio, four walls that became a universe. The internet was painfully slow, so we were truly disconnected from the online game. Deep in bayside Melbourne, far from our inner-city friends, that little room became our whole world for nearly two years. It held all our chaos and all our clarity, a little ‘playpen’ where we could live, play and experiment like teenagers again. We started making things with our hands again, tangible, imperfect, and real. We wanted to celebrate long-form, the idea of an album as a whole body of work, while the world was chasing 15-second snippets and algorithm friendly noise.

So we left behind the room packed with industry chatter and opinions, and created our own little haven. And honestly, it was magic. The best decision we’ve ever made.”

Later this month, Ecca Vandal will make her Coachella debut, followed by an Australian tour supporting Deftones. No stranger to big stages, she and her band have played Camp Flog Gnaw and toured with Limp Bizkit, Queens of the Stone Age, IDLES, The Prodigy, and more. Her high-energy performances have become a trademark, pulling from punk, jazz, hip-hop, and electronic into a distinct sound.

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