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triple j

Mix Up – Anna Lunoe B2B Nina Las Vegas

The New York Times

billy woods Is Scary Good at Rapping

The Australian

Saxophone, beer bellies and bass: why Viagra Boys are one of the world’s best live bands

Rolling Stone AU/NZ

Jude Kelly Is Ready to Let Her Guard Down

KEXP

Carriers’ “‘Every Time I Feel Afraid’ is a true triumph”

Stereogum

Album Of The Week: billy woods ‘GOLLIWOG’

NPR Music

Jeff Parker ETA IVtet: Tiny Desk Concert

Sydney Morning Herald

The best new Australian music to listen to this month – Teether & Kuya Neil, YEARN IV

Rolling Stone

billy woods New Album Explores What We Fear and Why

WNYC All Of It

chlothegod Feels Different Every Day (Live from CR5)

office Magazine

Elita: the band living in a video game

Heavy Mag

VIAGRA BOYS: ‘viagr aboys’ [album review]

Astrophe Magazine

Ancient Echoes: RIO KOSTA in Conversation

Double J

Feature Album: Viagra Boys — viagr aboys

The Australian

Album review: Viagra Boys continue outstanding, priapic hot streak on viagr aboys

Rolling Stonetone

Ayesha Madon Is a True Gen Z Star

PAPER

Magdalene Is a Very “Lucky Girl”

Rolling Stone AU/NZ

Girl, It’s EDM: Why Everyone Wants To Work With Ninajirachi

Billboard

NIKI Takes on Chappell Roan’s ‘Casual’ for ‘Like a Version’

Alternative Press

Big Ears 2025 in Photos: Alabaster DePlume, SML, Jeff Parker

KEXP

The Slaps Live @ KEXP

Tone Glow

181: Macie Stewart

Pitchfork

Selects: Tortoise’s “Oganesson”

Rolling Stone

Songs You Need To Know: Panchiko’s “Chapel of Salt”

Pigeons & Planes

chlothegod Live @ in the Medium Sized Backyard

Pitchfork

The Best Music of 2025 So Far: Alabaster DePlume’s ‘A Blade Because A Blade Is Whole’

10 Magazine

TEN QUESTIONS WITH OLANA JANFA

The New York Times

The Playlist: Tortoise’s “Oganesson”

ABC rage

Feature Video: Viagra Boys – The Bog Body

Fashion Journal

Here’s who Australian artists are watching in music in 2025 [Geography, ASHWARYA, Mallrat]

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