Jeff Parker releases new ETA IVtet album ‘Happy Today’

Photo by David Haskell
May 15 2026

TRACKLIST
1. Like Swimwear
2. Happy Today

CREDITS & ACKNOWLEDGEMENTS
This music was recorded at Lodge Room, Highland Park, Los Angeles, California on August 20, 2025.

Live recording by Bryce Gonzales.
Mastered by Dave Cooley at Elysian Masters.

Album layout and design by Aaron Lowell Denton.
Photos taken from the series Thirdness by David Haskell.

Jay Bellerose – drums and percussion
Anna Butterss – acoustic bass
Josh Johnson – alto saxophone with electronics
Jeff Parker – electric guitar with electronics

Thanks to Bryce and Highland Dynamics, Scottie, David, Dave, Hippo, Jocelyn and Ashley at IARC, David Bither and staff at Nonesuch Records, Chris, Tina and Ryan at Big Fish, David Haskell, and the wondrous audience and staff at Lodge Room.

F@#K ICE. Power To The People.

Happy Today is out now, buy/stream it here.

Today, guitarist / bandleader Jeff Parker releases Happy Todaythe third album from his long-running ETA IVtet, via International Anthem / Nonesuch. Recorded and mixed live at Lodge Room in Los Angeles on August 20, 2025, Happy Today features Parker and the rest of the IVtet — drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson — engaged in their signature, minimalist, form-bending improvisational syntax across two sprawling, LP side-length pieces.

Listen to and purchase Happy Today here.

In a Pitchfork profile on Parker, Grayson Haver Currin wrote of Happy Today: “With the rhythmic elasticity of a beat tape and the tonal splendor of almost everything he has ever done, it is a 44-minute synthesis of Parker’s last six decades.” Read the full feature here.

An album-length concert film, captured by director Charlie Weinmann at the Lodge Room performance that became Happy Today, will be released May 29. Weinmann’s noirish document offers a rare opportunity to see Parker and the elusive ETA IVtet in action; watch a preview here. To celebrate the album’s release, twenty record stores will be hosting screenings of the Happy Today film over the course of this weekend. Find the full list of record stores that will be hosting screenings here, and check their respective websites and social accounts for details on dates and times.

Also today at 12pm CST is a virtual Bandcamp listening party joined by Parker, Butterss, Johnson, and Bellerose, RSVP here.


Photo of ETA IVtet by Sam Lee

The past two years have been productive and busy as ever for Parker, who has long been a prominent player within a wide-range of music communities, in jazz and beyond. In 2025, he released new music and toured with his long-standing experimental rock band Tortoise and brought the ETA IVtet in for an NPR Tiny Desk performance. Additionally, Parker and two other members of the IVet — Butterss and Johnson — are featured on Flea’s solo debut album, which was released March 27 on Nonesuch Records. The album, Honora, also was produced by Johnson.

Happy Today is ETA IVtet’s first recording made outside of the now-shuttered, widely-beloved Los Angeles micro-club ETA. Part laboratory, part low-stakes proving ground, ETA was where the band’s  collective sound coalesced over the course of a storied seven-year Monday night residency that yielded two critically-acclaimed records — 2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy.

Recorded and mixed in situ at Lodge Room by engineer Bryce Gonzales with a custom-made analog mixer and Nagra stereo tape recorder, Happy Today captures a bright moment during dark times. As Parker shares: “2025 was a very difficult year for me and my family. Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement of joy.”

With Happy Today, that sound—honed in such an intimate setting—is scaled up for a much larger audience and space at Lodge Room. But the essential formula remains the same, and has the same hypnotic, deeply-tuned listening effect. The almost alchemical musical communication creates a feeling of connection not only between the band members but also between the band and their audience—an ongoing trust exercise that invites listeners to become part of the exchange, and experience the joy of deep listening.

In August, Parker and the ETA IVtet will do a run of shows that includes a three-night stand at Lodge Room in Los Angeles. Tickets and info below.

PRAISE FOR JEFF PARKER ETA IVTET & HAPPY TODAY

“A live demonstration of repetition as a form of change, the hypnotic rhythm of Bellerose and Butterss stretching a canvas across which Parker and Johnson glide and sway or worm their way inside.”
Pitchfork

“Parker patiently repeats a four-bar phrase while the quartet ruminates placidly within the static harmony, toying with their own little riffs…the tone stays meditative, a hushed conversation among friends.”
The New York Times

“What ‘Like Swimwear (part one)’ reveals is true harmony—four experts in sync with themselves and each other.”
Paste

“Nudge[s] minimalist beginnings into fertile wonder.”
The Guardian

“Jeff Parker and the ETA IVtet move like a single organism here.”
KCRW

“A quietly radical guitarist, Jeff Parker has redrawn the outer limits of improvised music “
UNCUT
“The ETA IVtet have never come across this sunnily soulful, or so loose in such a languid, unhurried way.”
The Wire

“Jazz in its most exploratory, unbounded form.”
MOJO

“A bright and joyous set of improvisations, four musicians continuing to build something out of both musical chemistry and friendship.”
Treble

“Parker’s never been flashy about his technique — though he’s not lacking of it — but somehow knows how to articulate his lines perfectly and can fit into any musical setting no matter how abstruse, unpredictable or knotted it might be.”
Something Else!