Machine Girl drop new track ‘Dread Architect’, new album Psychowarrior (MG Ultra X) out Oct 24
PRAISE FOR Machine Girl
“It’s hard to imagine a better soundtrack for the revolution than Machine Girl”
“Their sound is undeniably shaped by growing up with unlimited internet access, exposed to the raw frontier of image boards, shock sites, and Limewire”
“Relentlessly smashing together bits of punk, grindcore, rave, industrial, and more, the Pittsburgh duo’s maximalist music echoes the cruel momentum of the modern world”
PsychoWarrior (MG Ultra X) LP
Oct 24 via Future Classic
PRE-ORDER / PRE-SAVE LP
TRACKLIST
We Don’t Give A Fuck
Come On Baby, Scrape My Data
Ignore The Vore
Rabbit Season
Creeping Up From The Pit
Psychowar
Innermission
Dual Wield
ID Crisis Angel
Down To The Essence
Despite Having No Money At All I’m Just Another Rat In The Mail
Phantom Doom
Dread Architect (Feat. Drumcorps)
I-Void Destroyer
‘Dread Architect’ is out now, buy/stream it here.
Machine Girl, the newly trio’d New York-based electronic hardcore project helmed by Matt Stephenson have dropped the final single from their forthcoming PsychoWarrior (MG Ultra X) due October 24th via Future Classic. LISTEN HERE + PRE-SAVE THE LP HERE.
‘Dread Architect’ [feat. Drumcorps] is a relentless drum-n-bass barrage crashing into manic screams underlined by groans of fuzzed-out feedback and laser-precise synths. Stephenson notes: “To me, ‘Dread Architect’ is almost the antagonist of the whole double-LP,” he states. “It’s the worst of our war-hungry billionaire class leaders who are seething to create a horrible future. We’re witnessing the destruction of the environment worldwide. Mark Zuckerberg and all of these billionaires have already built bunkers for the apocalypse. They’re trying to get out of here and go to Mars. It’s grim and fucked up. Drumcorps is the de facto metalcore breakcore producer extraordinaire. He provided some super gnarly guitar tracks for us to chop up and use too.” The track follows ‘Rabbit Season‘, a brain-rattling crafted beat with neon keys and a snappy hook, and ‘Come On Baby, Scrape My Data‘.
Their second album in two years, PsychoWarrior (MG Ultra X) is part of the same arc as 2024’s incredibly successful MG Ultra, an album that garnered 15+ million streams and sold 55,000 tickets on the subsequent tour. Whereas MG Ultra explored mind control, PsychoWarrior (MG Ultra X) delves into the collective unconscious. Stephenson explains, “I’d been reading analytical psychology and the writings of Joseph Campbell and Jung. There’s a concept of the collective unconscious and these archetypes that we innately have. We adopt different personae in order to get through the day. In essence, you complete yourself by facing your shadow self. To do so, you must accept the less savoury aspects of who you are. There’s a lot of validity to these theories. Right now, we’re a very psychologically damaged culture and society. We’re being pushed over the edge with social media and technology. Any chance of resistance against these systems starts in the mind, so this was the genesis of PsychoWarrior (MG Ultra X).”
Machine Girl carved out an incomparable lane upon arrival in 2012. Stephenson’s 2014 full-length debut LP, Wlfgrl, achieved bona fide cult status, shocked to life by ‘Out by 16, Dead on the Scene’, ‘Ghost’, and ‘Mg1’, which have reeled in north of 43 million Spotify streams and counting. Their sound proceeded to completely reinvent itself across each LP that followed—Gemini (2015), …Because I’m Young Arrogant and Hate Everything You Stand For (2017), The Ugly Art (2018), U-Void Synthesizer (2020), and 2022’s two-part Original Soundtrack for the video game Neon White. Most recently, 2024’s MG Ultra incited the most enthusiastic critical applause of the band’s career so far.
The Machine Girl narrative bridges the divide for all types of freaks. Becoming widely known for their vitriolic, organic, massive grassroots following, developed through a sense of aesthetic maximalism, both online and BUT MAINLY off. Founded by Matt Stephenson and percussionist Sean Kelly, the union of their frenetic sound, DIY ethos and distinctly hi-fi, widescreen vision has garnered profound resonance throughout culture and across fans worldwide.
Machine Girl have become dually infamous for their cathartic, unpredictable, acrobatic performances and their uncompromising, genre-oblivious catalogue, boasting a reputation as one of the most compelling performance offerings of the underground. Kerrang! listed them as one of the “bands expanding the definition of hardcore,” and described the project as, “a particularly… ferocious breed of the electronic sub-genre breakcore that could easily pass for hardcore when they rip it live.”
In 2022, Machine Girls’ first worldwide tour hit 24 countries and 34 cities, over 41 days, with their first-ever UK and Aus runs sold out entirely in pre-sale. Come 2023 they teamed up with 100 gecs for a sold-out six-week run across the US. In the time since, as an entirely independent group Machine Girl have cultivated over 1 million monthly listeners on Spotify, culminating in their signing to like-minded label innovators, Future Classic.
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