Makaya McCraven releases four more singles from four new EPs out 10/31

Photo by Shannon Marks
October 10 2025

TRACKLISTS & CREDITS
Techno Logic 
(featuring Theon Cross and Ben LaMar Gay)

Gnu Blue
Technology
Boom Bapped
Prime
Strikes Again

Composed and performed by Makaya McCraven (drums), Theon Cross (tuba, electronics), and Ben LaMar Gay (cornet, voice, percussion, synths, electronics, diddley bow) on October 20th, 2017 at Worldwide FM Studios, London, UK, June 5th, 2024 at 90mil in Berlin, DE, and January 9th, 2025 at Nublu in New York, NY. Editing, additional composition and overdubs by Makaya McCraven (percussion, keys, synths, vibraphone) completed between 2024-2025 at Makaya Music Studios in Chicago, IL.

Produced by Makaya McCraven. Recorded by George Haskell, Caio Carvalho, Dave Vettraino, David Allen, and Alf Brooks. Additional Recording by Makaya McCraven. Mixed by Dave Vettraino and Makaya McCraven. Production Assistance by Tina Edwards, Niko de Paula Lefort, and Joe Summers. Mastered by David Allen. Cover Photo by Jacob Blickenstaff. Executive Production by Scott McNiece.

The People’s Mixtape

Choo Choo
The Beat Up
What a Life
Lake Shore Drive Five

Composed and performed by Makaya McCraven (drums), Junius Paul (bass guitar), Joel Ross (vibraphone), Jeremiah Chiu (modular synthesizer, percussion), and Marquis Hill (trumpet, percussion, electronics) on January 14th, 2025 at Public Records in Brooklyn, NY. Editing, additional composition and overdubs by Makaya McCraven (percussion, keys, synths) completed across 2025 at Makaya Music Studios in Chicago, IL.

Produced by Makaya McCraven. Recorded by Lily Wen. Additional Recording by Makaya McCraven. Mixed by Dave Vettraino and Makaya McCraven. Production Assistance by Sruly Lazaros, James Hartnett, and Chris Weingarten. Mastered by David Allen. Cover Photo by Jacob Blickenstaff. Executive Production by Scott McNiece.

Hidden Out!

Battleships
Away
Dark Parks
Awaze
News Feed
Braddas

Composed and performed by Makaya McCraven (drums), Junius Paul (double bass), and Jeff Parker (guitar) on June 27th, 2017 at The Hideout in Chicago, IL; except “Awaze” composed and performed by Makaya McCraven (drums), Junius Paul (double bass), Marquis Hill (trumpet, electronics) and Josh Johnson (saxophone, electronics) on June 20th, 2017 at The Hideout in Chicago, IL. Editing, additional composition and overdubs by Makaya McCraven (percussion, keys, synths, vibraphone, guitar) completed between 2017-2025 at Makaya Music Studios in Chicago, IL.

Produced by Makaya McCraven. Recorded by Dave Vettraino. Additional Recording by Makaya McCraven. Mixed by Dave Vettraino and Makaya McCraven. Mastered by David Allen. Cover Photo by Scott McNiece. Executive Production by Scott McNiece.

PopUp Shop

YoYoYo Intro
Venice
Imafan
Los Gatos
Sweet Stuff

Composed and performed by Makaya McCraven (drums), Benjamin J. Shepherd (bass guitar), Justin Thomas (vibraphone), and Jeff Parker (guitar) on September 22nd, 2015 at the Del Monte Speakeasy in Venice, CA, as part of RAWS:LA presented by King Hippo and Grown Kids Radio. Editing, additional composition and overdubs by Makaya McCraven (keys, synths) completed on September 23rd, 2015 in the alley behind Townhouse on Windward Ave in Venice, CA.

Produced by Makaya McCraven. Recorded by Tim Oakley. Recording Assistance by Ken Barrientos. Mixed by Makaya McCraven and Dave Vettraino. Mastered by David Allen. Cover Photo by Victor Duarte. Executive Production by Alejandro Ayala, Sergio Flores, and Scott McNiece.

Acclaimed drummer, producer, and sonic collagist Makaya McCraven releases four new singles today, one from each of his four upcoming EPs –– Techno Logic, The People’s Mixtape, Hidden Out!, and PopUp Shop –– that will be released on all music platforms October 31.

Also today, McCraven releases a live video of “Choo Choo” (from forthcoming EP The People’s Mixtape) captured at his recent October 1st performance at Thalia Hall, Chicago. Watch here.

Today’s four singles –– “What a Life,” “Prime,” “News Feed,” and “Sweet Stuff” –– and subsequent EPs are all compiled on a 2xLP and 2xCD physical release titled Off the Record, which is available for preorder now and in stores October 17 via International Anthem / Nonesuch / XL Recordings. Together they mark McCraven’s first recorded offerings since 2022’s In These Times (“McCraven’s most ambitious set of music” -GRAMMY.com) and a return to the signature “organic beat music” approach that Makaya first debuted on his 2015 album In The Moment and further developed on Highly Rare (2017), Where We Come From (2018), and Universal Beings (2018). Built from live recordings, McCraven reshapes the music via extensive editing, overdubs, and post-production at his home studio in Chicago.

Listen to the singles from each of the four EPs, and preorder Off the Record on 2LP/2CD here.
     

      
EP cover art in clockwise order: Techno Logic, The People’s Mixtape, Hidden Out!, PopUp Shop

The source material from each of McCraven’s new EPs is also drawn from moments of pure improvisation that were recorded live in performance, and shaped as much by the room and audience as by the musicians themselves.

Techno Logic features Ben LaMar Gay and Theon Cross, and draws from performances in London (2017), Berlin (2024), and New York (2025), showcasing nearly eight years of developing rapport between the three musicians.

Today’s new single from the forthcoming Techno Logic, “Prime,” is a piece McCraven edited from his first time playing with Cross and Gay at Worldwide FM’s former North London studio in 2017. Cross’s hulking tuba basslines bolster Gay’s funky cornet leads, with McCraven augmenting his original drumkit performance with keyboards overdubbed at his home studio in 2024. Listen to “Prime” here.

The People’s Mixtape has its foundation in a live recording from Brooklyn’s Public Records in January of 2025, where McCraven celebrated the ten-year anniversary of In The Moment with an intentional return to the improvisational language he developed during that album’s sessions. For the occasion, McCraven played with bassist Junius Paul and trumpeter Marquis Hill, both of whom are majorly present on In The Moment; as well as vibraphonist Joel Ross, a regular collaborator of McCraven’s since the 2017 sessions for Universal Beings; and synthesist Jeremiah Chiu,  the SML co-leader and International Anthem labelmate, playing with McCraven for the first time.

The new single from The People’s Mixtape, “What a Life,” sounds more like a lost RZA beat from the late ‘90s than a piece of music edited from live improvisation. Chiu’s synthesized soundwaves in reverse spread across the stereo spectrum while Hill’s ghostly, heavily reverberated long trumpet tones cry out in the darkness over Paul and McCraven’s minimal boom bap rhythm, setting a perfect stage for an extended vibraphone solo by Ross. Listen to “What a Life” here.

Hidden Out! is built off recordings from McCraven’s June 2017 residency at The Hideout in Chicago, where he improvised weekly with a revolving cast including bassist Junius Paul; Tortoise member, International Anthem labelmate, composer, and guitarist Jeff Parker; and SML co-leader, GRAMMY-award winning producer, and alto saxophonist Josh Johnson.

“News Feed,” is essentially an extended Junius Paul bass solo over odd-meter drumming, with vibraphone and guitar comps added by McCraven in post. Listen to “News Feed” here.

PopUp Shop was created from recordings of McCraven’s Los Angeles debut at Del Monte Speakeasy in 2015, where he took part in the King Hippo and Grown Kids Radio produced event RAWS:LA, and improvised with guitarist Jeff Parker, vibraphonist Justefan, and bassist Benjamin J. Shepherd.

Today’s single “Sweet Stuff,” is from the final movement of McCraven and the quartet’s improvised performance at Del Monte, peaking in a beautiful guitar solo from Parker. Listen to “Sweet Stuff” here.

The OFF THE RECORD vinyl LP and CD compilation (in stores Friday October 17, and available for preorder here) is not just a collection of these four EPs, but a tactile document celebrating creative, communal, IRL moments of musical gathering.

 

OFF THE RECORD TOUR

Fri 10/10 – Ann Arbor, MI – UMS @ Michigan Theater – tickets
Sat 10/18 – San Diego, CA – Artpower at UC San Diego – Price Center East Ballroom – tickets
Tue 10/21 – San Francisco, CA – Great American Music Hall – tickets
Wed 10/22 – Los Angeles, CA – Jazz Is Dead @ Lodge Rooom – tickets
Thu 10/23 – Denver, CO – Dazzle – early tickets / late tickets
Fri 10/24 – Denver, CO – Dazzle – early tickets / late tickets
Sat 10/25 – Portland, OR – The Get Down – tickets
Sun 10/26 – Seattle, WA – Madame Lou’s – early tickets / late tickets

Fri 10/31 – Berlin DE – Jazzfest Berlin – tickets
Sat 11/1 – Roma IT – Auditorium Parco della Musica – tickets
Mon 11/3 – Prague CZ – Palác Akropolis – tickets
Tue 11/4 – Brno CZ – Cabaret des Pêchés – tickets
Wed 11/5 – Katowice PL – Ars Camerails / Jazz Club Hipnoza
Thu 11/6 – Mannheim DE – Enjoy Jazz / Alte Feuerwache – tickets
Fri 11/7 – Bremen DE – Theater Bremen – tickets
Sat 11/8 – Groningen NL – Rockit / Oosterport Kleine Zaal – tickets
Mon 11/10 – Utrecht NL – TivoliVredenburg – tickets
Wed 11/12 – Lisboa PT – Teatro Sao Luiz – tickets
Thu 11/13 – Madrid ES – Madrid Jazz Festival / Teatro Fernan Go
Fri 11/14 – Namur BE – Le Delta – tickets
Sat 11/15 – Den Bosch NL – November Music / Willem Twee Poppo – tickets
Mon 11/17 – Lille FR – Aéronef – tickets
Tue 11/18 – Paris FR – New Morning – tickets
Wed 11/19 – London UK – EFG London Jazz Festival / Koko – tickets
Thu 11/20 – Cenon FR – Le Rocher de Palmer – tickets
Sat 11/22 – Athens GR – Gazarte – tickets
Sun 11/23 – Oslo NO – Cosmopolite – tickets

ABOUT MAKAYA MCCRAVEN


Photo by Shannon Marks

Makaya McCraven, who has been aptly called a “cultural synthesizer” and “beat scientist,” has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st-century folk music. Profiled in the New York Times, VicePitchforkRolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss says “is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as ‘jazz.’ He’s found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he’s plucking them gleefully like the strings of a grand instrument.”