Saya Gray’s music doesn’t sit comfortably in any one place. Built from fragmented samples, voice memos, layered guitars, and sudden shifts in form, her songs move like thoughts — scattered, sharp-edged, intimate. Across her releases so far – 19MASTERS (2022), QWERTY I (2023), and QWERTY II (2024) – the Japanese-Canadian artist has quietly carved out a sound that resists polish in favour of something rawer and closer to the source. “1000 personalities in one song,” as she puts it.