
Teether & Kuya Neil’s debut album has arrived: YEARN IV out now
PRAISE FOR Teether & Kuya Neil
“True to its name, “BLUSH” is far gentler than any previous material we’ve heard from the duo… but their take on romance isn’t entirely devoid of realism”
“Fun, witty, and imaginative, ‘BLUSH’ remains tethered to their left-field roots, a kind of abstract pop song with a killer beat”
“A powder keg of bangers primed to shake the rat race to its core”
“Undeniably charismatic”
“two of the country’s most forward-thinking artists”
“Simultaneously chaotic and precise, no matter whether the palette is fierce rap, punk energy, slinking beats, or whatever else”
LP TRACKLIST
SCRATCH THE FLEA POINT FT NERDIE
ZOO
COSPLAY
BLUSH
CHANEL FT ALICE SKYE
DIAL UP FT STONESET
SPIDERWEB
WAY OUT
HOTEL
EPHERMERAL
SEA LEGS
BULLET POINT
BIG AXE
YEARN IV LP is out now, buy/stream it here.
Avant rap duo Teether & Kuya Neil today reveal their eagerly awaited debut album, YEARN IV via Chapter Music. They also continue to build their rich visual universe with the arrival of a music video for ‘CHANEL’, featuring Alice Skye. LISTEN TO YEARN IV HERE + WATCH ‘CHANEL’ HERE.
Recorded in Naarm / Melbourne and completed in London, YEARN IV embodies Teether & Kuya Neil’s global influences as well as the strength of their connection to local scenes. Based around Teether’s assured, vivid wordplay and Kuya Neil’s hyper-modern production, the record draws you into the heady world of two musical outsiders, raised by the internet, pushing restlessly past sonic, thematic and physical boundaries.
Their kinship stems from similar experiences as lonely teenagers, discovering dark atmospheres through metal and learning to shred on pointy guitars before finding their way into electronic music. Be it discovering The Black Album or chugging along to ‘Master Of Puppets’, their metal roots still influence the ethos that guides both artists today: a deep commitment to community and to finding space for alternate forms of expression.
Teether & Kuya Neil also both grew up as outsiders in suburban Australia – Kuya Neil as a member of a Filipino-Australian family, Teether with Malawi-Italian-Australian heritage. Looking in from the margins of Australian life has given them a unique perspective, a readiness to pierce holes in the aural and cultural fabric of the world around them, and helped shape their off-kilter style in the face of the mainstream.
YEARN IV asks: is this world the one you want to be part of? If not, what world can you create for yourself? When you yearn for what you don’t have, do you strive to build what you lack, or are you just dreaming to reach an impossible goal? Is the very act of dreaming enough all by itself? To “yearn for” contains multitudes, as does the album. Wild and untraditional, rich and varied, surreal but earthy, jagged but welcoming, YEARN IV makes a new shape for modern rap in Australia and the world.
WATCH: ‘CHANEL feat. Alice Skye’ (Official Music Video)
After their peerless string of singles ‘ZOO‘, ‘BLUSH‘, ‘DIAL UP‘ and ‘SEA LEGS‘, today’s album release finally reveals the finer details of the full record. YEARN IV charges out of the gate with a collaboration with 1300’s Nerdie on opener ‘SCRATCH THE FLEA POINT’, full of anxious wordplay and scene-setting guitar riffage.
‘WAY OUT’ runs on inner-city anxiety but looks for a place to breathe – “the synths are the sound of being underwater blissfully drowning,” explains Kuya Neil. On ‘CHANEL’, whose Phillip Dixon VII-directed music video drops today, Wergaia/Wemba Wemba vocalist Alice Skye features on a poignant lament for Australia’s myopic cultural landscape. The gorgeous, quasi-shoegaze track fades over Alice’s repeated refrain, “I’ll never reach my full potential here.”
Elsewhere, ‘SPIDERWEB’ is a woozy ode to the reluctant and perpetual grind, a reminder for Teether to “learn to say no”. ‘HOTEL’ ponders the passing of time and how we arrived where we are. ‘COSPLAY’, is both a dig at and love letter to Melbourne, the city that formed them. Album closer ‘BIG AXE’ is a tribute to their 80’s metal heroes, “our version of the obligatory long instrumental on every classic 80s metal album,” says Teether. “Sometimes you have to shred.”
Throughout YEARN IV, Teether & Kuya Neil dance with musical structure just as they roast and eulogise the societal structures that shaped them. Ultimately Teether & Kuya Neil find a vivid, unique voice amid a sea of clashing cultural experiences and sonic histories, rising out of the bland isolation of contemporary urban Australia to create something far-reaching and beautiful.
There is no cadence like Teether’s to be found in Australia, where the immersive storytelling of his delivery filters through Neil’s unorthodox, hyper-modern production. They converge as vanguards of the Naarm/Melbourne underground scene together and in their own right, orchestrating a brooding and vivid world of two musical outsiders. Releasing their first mixtape GLYPH via Chapter Music in 2021, the duo saw global radio support across triple j, NTS, Dublab, fbi.radio, Triple R, Skylab and more, writeups via NME, Brooklyn Vegan, Acclaim, Tone Deaf, Beat Magazine, with four songs from the mixtape featuring in the iconic Australian Netflix series Heartbreak High the following year.
2023 follow-up STRESSOR charted in the Australian Independent Top 10, earned Feature Album placements across Triple R, fbi.radio, RTR FM and Edge Radio, and made it into end of year best of lists for Guardian Australia, Rolling Stone and NME, before receiving a nomination for Best Hip Hop Album at the 2024 AIR Awards. Renowned for their electric stage presence, the duo have performed at Bigsound, Melbourne Music Week, RISING, Meadow, Vivid Sydney, NGV Melbourne and Parramatta Lanes, supporting the likes of international peers MC Yallah & Debmaster and They Hate Change, as well as veteran alt-rap outfit Shabazz Palaces and Chicago Footwork pioneer RP Boo.
As a solo artist, a member of Too Birds, and an in-demand collaborator, Teether has a deep dive catalogue of releases to his name. From working with New York rapper billy woods from Armand Hammer – who he supported in Australia in 2023 – to supporting Kim Gordon in Melbourne in 2024, he’s even featured on a single from metal band Dregg, released by the legendary Epitaph Records. Kuya Neil’s output is just as prolific: as the founder of Australian creative collective content.net.au, he’s produced tracks for the likes of Mirasia, BAYANG (tha Bushranger), Papaphilia, ZK King and more.
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